1 00:00:04,704 --> 00:00:06,072 >>> WELCOME BACK, GUYS. 2 00:00:06,072 --> 00:00:11,911 FOR MORE THAN 40 YEARS, NEARLY A DECADE OF THEM WITH US AT NBC, 3 00:00:11,911 --> 00:00:14,247 BILL NEELY HAS BEEN CRISS-CROSSING THE WORLD TO TELL 4 00:00:14,247 --> 00:00:16,182 THE STORIES THAT MATTER. >> YEAH. 5 00:00:16,182 --> 00:00:18,485 NOW, THE VETERAN CORRESPONDENT, WHO WITNESSED SO MUCH HISTORY, 6 00:00:18,485 --> 00:00:23,757 IS HANGING UP HIS MIC IN SEARCH OF HIS NEXT GREAT ADVENTURE. 7 00:00:23,757 --> 00:00:26,593 >> Reporter: FOR MORE THAN FOUR DECADES, BILL NEELY HAS BEEN ON 8 00:00:26,593 --> 00:00:32,198 THE FRONT LINES OF HISTORY. >> PROCLAIMING A NEW ERA. 9 00:00:32,198 --> 00:00:34,868 >> Reporter: REPORTING FROM EVERY CORNER OF THE WORLD WITH 10 00:00:34,868 --> 00:00:38,805 HIS UNIQUE STYLE AND SWAGGER. >> IT'S JUST ASTONISHING. 11 00:00:38,805 --> 00:00:42,776 >> Reporter: STARTING OUT AS A CUB REPORTER FOR THE BBC, HE 12 00:00:42,776 --> 00:00:44,811 ROSE THROUGH THE JOURNALISTIC RANKS. 13 00:00:44,811 --> 00:00:48,815 SPENDING THE LAST DECADE OF HIS CAREER HERE WITH US AT NBC NEWS, 14 00:00:48,815 --> 00:00:52,786 AS OUR CHIEF GLOBAL CORRESPONDENT. 15 00:00:52,786 --> 00:00:55,255 >> DEFIANT MESSAGE TO AMERICA. >> Reporter: HIS GIFT FOR 16 00:00:55,255 --> 00:00:56,923 STORYTELLING EARNING HIM MANY AWARDS. 17 00:00:56,923 --> 00:01:01,094 >> 500 YARDS AWAY. >> Reporter: INCLUDING A 18 00:01:01,094 --> 00:01:03,930 PEABODY. IN HAITI, HE WAITED PATIENTLY AS 19 00:01:03,930 --> 00:01:08,468 RESCUERS SEARCHED FOR EARTHQUAKE SURVIVORS. 20 00:01:08,468 --> 00:01:09,703 >> THINK YOU'LL LIVE? >> LIVE? 21 00:01:09,703 --> 00:01:13,640 WHY NOT? >> Reporter: HE'S COVERED 22 00:01:13,640 --> 00:01:16,409 PRESIDENTS IN THEIR PALACES. >> THE FIRST DRAFT OF HISTORY IS 23 00:01:16,409 --> 00:01:18,912 SAYING YOU ARE A BRUTAL DICTATOR. 24 00:01:18,912 --> 00:01:21,081 >> Reporter: AND GREETED MIGRANTS DESPERATE FOR A TASTE 25 00:01:21,081 --> 00:01:23,983 OF FREEDOM. >> SPEAK ENGLISH? 26 00:01:23,983 --> 00:01:25,819 NO? >> Reporter: HE WAS FIRST ON THE 27 00:01:25,819 --> 00:01:29,089 GROUNDCOVERING A SCHOOL SHOOTING IN PAKISTAN, AND CAME UNDER FIRE 28 00:01:29,089 --> 00:01:34,928 FROM ISIS WHILE COVERING A STORY IN PHILIPPINES. 29 00:01:34,928 --> 00:01:37,197 >> THE ISIS SNIPERS ARE ACROSS THE BRIDGE. 30 00:01:37,197 --> 00:01:39,199 >> Reporter: BILL INITIALLY WANTED TO BE AN ACTOR. 31 00:01:39,199 --> 00:01:43,503 WHEN YOU GROW UP IN NORTHERN IRELAND DURING THE TROUBLE, YOU 32 00:01:43,503 --> 00:01:46,139 GET DRAWN TO NEWS. AS A DRUMMER IN A PUNK BAND, 33 00:01:46,139 --> 00:01:50,477 BILL LOVED GREAT MUSIC. ** 34 00:01:50,477 --> 00:01:55,548 >> Reporter: HE WAS ON DUTY THE DAY THE LEGENDARY DAVID BOWIE 35 00:01:55,548 --> 00:01:57,117 DIED. >> BILL IS WITH US LIVE FROM 36 00:01:57,117 --> 00:01:58,485 LONDON. BILL, YOU'RE A LEGEND. 37 00:01:58,485 --> 00:02:01,955 YOU'RE SO BELOVED AND ADMIRED AND REVERED AROUND HERE. 38 00:02:01,955 --> 00:02:04,324 WE CANNOT BELIEVE YOU'RE LEAVING. 39 00:02:04,324 --> 00:02:08,828 SO WHAT ARE YOU GOING TO MISS THE MOST, DO YOU THINK? 40 00:02:08,828 --> 00:02:13,066 >> Reporter: OH, I THINK APART FROM THE GREAT STORIES, JUST 41 00:02:13,066 --> 00:02:15,168 PEOPLE. YOU KNOW, WHAT THE VIEWERS DON'T 42 00:02:15,168 --> 00:02:18,171 REALIZE IS THAT I STAND ON THE SHOULDERS OF PEOPLE IN THE 43 00:02:18,171 --> 00:02:24,144 "TODAY" SHOW GALLERY, LIKE LIBBY AND MAZ AND BILL AND ERICA AND 44 00:02:24,144 --> 00:02:28,281 ROBERTO AND PHIL AND PETE, THE WHOLE GANG. 45 00:02:28,281 --> 00:02:30,684 YOU KNOW, ONE OF THE GREAT THINGS ABOUT BEING AN ON THE 46 00:02:30,684 --> 00:02:35,522 ROAD REPORTER IS THE MOMENTS WHEN YOU GET TO TALK IN THE 47 00:02:35,522 --> 00:02:38,324 EVENINGS, MAYBE OVER DINNER IF YOU'RE LUCKY, OVER A GLASS OF 48 00:02:38,324 --> 00:02:42,195 WINE WITH YOUR FRIENDS, ONE OF WHOM IS STANDING BEHIND THE 49 00:02:42,195 --> 00:02:46,266 GLASS, TONY HEMMINGS, MY GREAT COLLEAGUE AND CAMERAMAN, AND 50 00:02:46,266 --> 00:02:47,834 SOMETIMES WITH COMPETITORS. LIFE IS SHORT. 51 00:02:47,834 --> 00:02:52,405 THESE STORIES ARE TERRIBLE. WE DO NEED TO DECOMPRESS. 52 00:02:52,405 --> 00:02:55,108 YOU KNOW, FOR ANYBODY OUT THERE WHO WANTS TO BE A JOURNALIST, 53 00:02:55,108 --> 00:02:58,178 IT'S ACTUALLY A WONDERFUL CAREER. 54 00:02:58,178 --> 00:03:01,247 >> BILL, YOUR WORK HERE HAS BEEN PHENOMENAL. 55 00:03:01,247 --> 00:03:05,552 YOU MENTIONED MAZ, THE EP OF THIS SHOW, MAZZARELLI. 56 00:03:05,552 --> 00:03:08,822 HE SAYS IN BILL WE TRUST. IF BILL NEELY GOT ASSIGNED A 57 00:03:08,822 --> 00:03:10,523 STORY, WE KNEW WE WERE IN GOOD HANDS. 58 00:03:10,523 --> 00:03:15,095 WHAT'S NEXT, BUDDY? WHAT IS THE NEXT CHAPTER? 59 00:03:15,095 --> 00:03:16,396 >> Reporter: YOU KNOW, I DON'T KNOW. 60 00:03:16,396 --> 00:03:21,468 I DO JUST WANT TO TAKE A REST AND HAVE A THINK. 61 00:03:21,468 --> 00:03:25,238 BUT ON THAT SCORE, I HAVE TO SAY, IT IS SUCH AN AMAZING 62 00:03:25,238 --> 00:03:32,278 PRIVILEGE THAT NBC, AMERICAN BROADCASTERS, GAVE ME. 63 00:03:32,278 --> 00:03:36,383 YOU KNOW, A PUNK KID WITH A DODGE 64 00:03:36,383 --> 00:03:39,085 DODGEY ACCENT, TO BE ALLOWED INTO YOUR LIVING ROOMS AND 65 00:03:39,085 --> 00:03:41,087 KITCHENS TO TELL THE STORY OF YOUR PRESIDENT, OF YOUR TROOPS 66 00:03:41,087 --> 00:03:44,657 ON THE FRONT LINE. I MEAN, THAT IS SUCH A PRIVILEGE 67 00:03:44,657 --> 00:03:47,794 AND SUCH A RESPONSIBILITY. THAT'S EXTRAORDINARY THAT YOU 68 00:03:47,794 --> 00:03:52,565 GAVE US TO ME. AND, YOU KNOW, THANK YOU SO MUCH 69 00:03:52,565 --> 00:03:54,601 FOR IT. BECAUSE I'VE HAD A BLAST. 70 00:03:54,601 --> 00:03:57,103 >> BILL, THANK YOU FOR ALL YOU HAVE DONE. 71 00:03:57,103 --> 00:04:02,609 SEEING THE STORIES YOU COVERED, I HAVE TO ASK, WERE YOU EVER 72 00:04:02,609 --> 00:04:06,112 SCARED? >> Reporter: YOU KNOW, I THINK 73 00:04:06,112 --> 00:04:08,682 I'VE COVERED QUITE A LOT OF WARS AND BEEN UNDER FIRE. 74 00:04:08,682 --> 00:04:13,253 I THINK, YOU KNOW, IF YOU SAID YOU WEREN'T SCARED, YOU'D BE A 75 00:04:13,253 --> 00:04:16,923 LIAR. BUT THERE ARE MANY DEGREES OF 76 00:04:16,923 --> 00:04:20,460 FEAR. UNFORTUNATELY, I'VE NEVER FELT 77 00:04:20,460 --> 00:04:22,228 TERRIFIED AND NEVER HAD FLASHBACKS. 78 00:04:22,228 --> 00:04:25,799 THANK GOODNESS FOR THAT. BUT, YES, OF COURSE, BUT YOU 79 00:04:25,799 --> 00:04:30,970 MEASURE RISK ALL THE TIME, ESPECIALLY, YOU KNOW, IN WARS, 80 00:04:30,970 --> 00:04:35,475 AS MY COLLEAGUE RICHARD ENGEL WILL KNOW ONLY TOO WELL, AND IN 81 00:04:35,475 --> 00:04:40,313 EARTHQUAKES. YOU MEASURE UP RISK AND REWARD. 82 00:04:40,313 --> 00:04:41,581 THANKFULLY, IT'S ALL BEEN WORTH IT. 83 00:04:41,581 --> 00:04:43,183 >> NOW, YOU CAN RUN THE MARATHONS. 84 00:04:43,183 --> 00:04:45,452 I WAS READING, YOU FINISHED 11 MARATHONS. 85 00:04:45,452 --> 00:04:48,688 THIS YEAR, YOU'LL COMPETE IN THE LONDON AND BOSTON MARATHONS IN 86 00:04:48,688 --> 00:04:52,092 THE SPACE OF EIGHT DAYS? >> CRAZY. 87 00:04:52,092 --> 00:04:55,562 >> WELL, YOU KNOW, THAT'S THE -- THAT'S THE PLAN. 88 00:04:55,562 --> 00:05:00,800 I'M RUNNING FOR A VERY NICE BRITISH CHARITY CALLED CRY. 89 00:05:00,800 --> 00:05:04,337 I WILL SEND BEGGING LETTERS TO AS MANY OF YOU AS I POSSIBLY 90 00:05:04,337 --> 00:05:06,906 CAN. YEAH, I MEAN, TWO MARATHONS IN 91 00:05:06,906 --> 00:05:10,143 EIGHT DAYS IS A BIT SILLY, BUT I'M GOING TO GIVE IT A GO. 92 00:05:10,143 --> 00:05:14,614 >> BILL, YOU CAN DO EVERYTHING. GLOBE-TROTTING FOREIGN 93 00:05:14,614 --> 00:05:16,416 CORRESPONDENT, A WONDERFUL COLLEAGUE, A RUNNER, A GOOD 94 00:05:16,416 --> 00:05:18,451 HEART. NOW, WE KNOW YOU WERE IN A PUNK 95 00:05:18,451 --> 00:05:19,219 BAND. >> IT'S TRUE. 96 00:05:19,219 --> 00:05:22,522 >> NOW, I FEEL I BARELY EVER KNEW YOU. 97 00:05:22,522 --> 00:05:24,157 I JUST LEARNED THAT TODAY. >> Reporter: WHO KNEW, HUH? 98 00:05:24,157 --> 00:05:26,359 >> YOU'RE AMAZING, BILL. WE'RE GOING TO MISS YOU. 99 00:05:26,359 --> 00:05:28,128 GOOD LUCK IN ALL YOUR ADVENTURES. 100 00:05:28,128 --> 00:05:28,128 ADVENTURES. I HOPE IT IS THE RIGHT BALANCE